Over the years, "American Idol" has been a lot of things: a
launching pad for undiscovered talent, fodder for national conversation
and even a blending of politics and pop culture (remember the "red
state-blue state" debate last season during the Kris Allen-Adam Lambert
showdown?).
But never, ever has it been boring. Until now.
"Normally,
they don't have this many terrible people," said Dave Della Terza,
creator of the Web site Vote for the Worst. "It's not interesting when
they are all bad or they are all good. You need a good mix, and they
don't seem to have that this season."
Sure, some seasons start
out slowly but then pick up steam. A few start out like gangbusters and
then seem to fizzle toward the end.
But season nine just appears
to be a disjointed hodgepodge of confusing, inconsistent judging,
mediocre talent and presumed front-runners who are breaking down in
front of us.
Which asks the question, WTF: why the failures? Has
the No. 1 show on television, the program its rivals call the "Death
Star," jumped the shark?
Many of the commentors on CNN's "Idol" blog apparently think so.
"
'Idol' this year is so off my TV list," Gregory Gomes wrote. "The
contestants are way below standards and at the most are just good party
singers."
Danny from Texas said, "I am completely bored with the show this year."
Of course, there are some bright lights this season.
Crystal
Bowersox has been viewed as a breath of fresh air among the female
contestants, as has Siobhan Magnus. With the men, "Big Mike" Lynche and
Lee Dewyze have garnered many positive reviews.
Still, others
who were perceived to be major contenders -- such as Andrew Garcia and
Didi Benami -- haven't lived up to the promise they showed during the
Hollywood rounds. And the men really seem to be having a rough time of
it.
"Over the first two weeks of semifinal competition, we've
seen the weight of the judges' conflicting instructions, the burden of
early expectations, and/or the load of barely masked insecurities
prevent each of the 10 remaining men from fully embracing whatever
potential they might have to follow in the illustrious footsteps of
Ruben Studdard, Bo Bice, Chris Daughtry, Elliott Yamin, David
Archuleta, David Cook, and the other men who've transformed themselves
from wide-eyed wannabes into bona fide stars under the critical eyes of
30 million TV viewers," Entertainment Weekly scribe Michael Slezak wrote.
So who are we to blame? To trace the mess, we have to go even beyond the year B.E., or "Before Ellen."
"Two years ago, before Kara [DioGuardi] came, ['Idol']
felt like a juggernaut, like it was indestructible, and it was going to
be the number one show until the end of time, and everyone had to watch
it because it was that powerful," said Glenn Gamboa, a pop music writer
for Newsday who covers the show. "Once they started tinkering, people
started realizing that 'Oh, it's not that powerful, and maybe I don't
have to watch, or I don't have to get all that involved.' "
When
producers made the decision to bring DioGuardi on board as a judge,
fans were leery. Was she there to replace the beloved Paula Abdul?
Abdul
was arguably the heart of "Idol," and her goofy sweetness proved a
perfect foil for Simon Cowell's acerbic wit and brutal critiques.
Forget the words to your song or crack that final note? No problem;
Paula was sure to tell you how cute your outfit looked or how much the
viewers loved you.
When Simon threw lemons at contestants, it was Paula who always made the lemonade.
Her departure, followed by the addition of judge Ellen DeGeneres and the announcement that Cowell
is leaving at the end of this season, appears to have been a
one-two-three wallop that has launched "Idol" into uncharted territory.
"I
am starting to wonder if Paula was really brilliant and the one picking
all of the talent," Della Terza said, adding that he is finding it
difficult to narrow the field this season for his Web site. "Even Simon
seems like he is a little checked out this year, and he even had his
head under the table during one of the performances."
Twice, the
Olympics beat "Idol" in the ratings this season, and the numbers for
"Idol's" first results show were its lowest since 2004.
Longtime fan Dianne Emley, who picked the Olympics over "Idol," said she's pretty much lost the focus she had for the show.
"It
started for me when they got rid of Paula," said Emley, the author of a
successful series of crime novels. "I like Ellen, I really do, but I
still don't understand why they brought her on the show."
Newsday's
Gamboa agrees. So far, he said, "Ellen has been bad for the show, and
the show has been bad for Ellen." And Cowell being halfway out the door
hasn't helped the atmosphere.
Still, Gamboa holds out hope that as the season progresses, "Idol" will evolve.
"There's
a lot of potential, but there aren't any stars yet," Gamboa said. "In a
way, it could make this season more interesting, because there isn't
any one that you can definitely say, 'Oh, they are going to win,' or
'They are definitely going to make it through.' It's more of an even
playing field, but that doesn't mean it is any more fun to watch at
this point."